Many Agents Do Not Accept Unsolicited Manuscripts
In the fiction area of the book-agenting arena, other than some agents/agencies now requesting or requiring submissions via E-mail, the rules for presenting preliminary material have not changed appreciably in the past 15 to 20 years. What has changed is the number of agents who no longer accept unsolicited material or work that has not been referred by someone with whom that agent has a business relationship, such as a respected colleague, writer, or editor.
To Succeed in Finding an Agent, Create and Follow a Plan
But while the submission guidelines are still relatively unchanged depending on
the agent: one-page query; query with five pages; query, synopsis, five pages; query, synopsis, first three chapters, etc., breaking through is more difficult than every. A writer can save a great deal of aggravation, time, and expense by creating and following a plan that enables the potential for agent review to be in the author’s favor from the outset.
Identify the Sub-Genre in which your Manuscript is Written
First, it is critical for a writer to recognize in which sub-genre his/her work fits. For example, depending on who you talk to, there are now more than two dozen subsets in
the Suspense category, alone. Source agents who have found publishers for works in sub-genres the same as that in which your manuscript is written. The AAR web site is a great place to start, and another excellent free site is agentquery.com.
Query the Agents who Represent Authors your Style Emulates
Another option, if your story is written in the style of a well-known author, is to check the Acknowledgments page of a book by that writer, for his or her agent. Query this agent–even if the person professes not to accept unsolicited material. The worst that can happen is a rejection. But you could receive a request to see a portion of your novel, and there is a solid reason why:
Agents work in Genres in which they are Successful
People are generally most comfortable with what they know. Agents are no different. Familiarity, in this instance, is most often an asset and not a liability. Agents want books they feel they can sell, and will gravitate toward genres in which they have positive history.
Robert L. Bacon
robertlbacon@aol.com
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